Faith Trade, a tale of two clashing worlds

Faith Trade, a tale of two clashing worlds

Raphael Boamah-Asare continues to visually command attention with his narrative realism cinematography in this ode to black manhood in the UK. In his latest piece, Faith Trade, Boamah-Asare dives into the world

Emerging Director, Destinie presents ‘A Kind of Woman’, her ode to plus-sized Black Women in Fashion

Emerging Director, Destinie presents ‘A Kind of Woman’, her ode to plus-sized Black Women in Fashion

Courageous, confident, and purely unstoppable; the ‘Luxurious Woman’ finds herself at the peak of her potential. With the world at her feet, she takes extravagance to new heights which appears nonsensical to

Are we past the need for representation in film and TV?

Are we past the need for representation in film and TV?

We're living in a time of firsts. Many of the faces that we see on our screens are making huge strides to represent their communities, so do we still need representation in

Black Horror before and after Get Out

Black Horror before and after Get Out

It doesn't need to be Friday the 13th for you to enjoy a good horror film. In this list, we've put together 8 Black horror movies from before AND after the blockbuster

GUAP Presents Wunmi Bello for #GUAP27

GUAP Presents Wunmi Bello for #GUAP27

Wunmi Bello’s first magazine cover for GUAP’s April 2022 Issue. The cover star discusses the importance of loving yourself and others, finding your truth and protecting your light in your darkest moments.

It’s Reboot Season!

It’s Reboot Season!

The good, the bad, and the ugly. Reboots either get it perfectly right, or the complete opposite. Here, we share some of the most critically acclaimed reboots on our screens.

‘Unearthed Narratives’ 5 incredible new films made by 5 black filmmakers, created by a Blackowned film studio, screening now on Sky Arts – sheer excellence

‘Unearthed Narratives’ 5 incredible new films made by 5 black filmmakers, created by a Blackowned film studio, screening now on Sky Arts – sheer excellence

Yes, as the very long title suggests, the incredible DBK studios have just launched their collection of new short films by emerging black filmmakers entitled ‘Unearthed Narratives’. In partnership with Sky Studios,

GUAP X Netflix Top Boy Mentee Scheme

GUAP X Netflix Top Boy Mentee Scheme

Learn from some of the talented mentees on Netflix’s “Top Boy Mentee Scheme” as they share unmissable words of advice for emerging creatives Top Boy is no stranger to putting new faces

Tobi Kyeremateng’s ‘ÓWÀMBÈ’ Is A Nostalgic Look into The Heart of Nigerian Party Culture [@tobikyere], [@NetflixUK], [@OlukogaSayo]

Tobi Kyeremateng’s ‘ÓWÀMBÈ’ Is A Nostalgic Look into The Heart of Nigerian Party Culture [@tobikyere], [@NetflixUK], [@OlukogaSayo]

Netflix’s ‘OWAMBE’ Is A Nostalgic Look Into The Pinnacle of British Nigerian Culture The self-professed giant of Africa, Nigeria has a reputation for being loud, proud, and unapologetic. Nowhere better is this

Movies on Black Love; The Good, The Bad & The Unforgettable

Movies on Black Love; The Good, The Bad & The Unforgettable

Don’t have any plans for Valentine’s Day? Here are my top 10 films centering Black Love. When it comes to depictions of Black love stories in film & tv, we are still

Ella Ezeike; the Nigerian-American photographer and director debuts her first short film ‘Bluebird’.

Ella Ezeike; the Nigerian-American photographer and director debuts her first short film ‘Bluebird’.

Where does true love live? This is the question that runs through my mind as I sit down with Ella Ezeike.  Bluebird is a short poetic film that delves into the experience

Take Me To The River: New Orleans leaves you with the notion that New Orleans isn’t just a place, but an identity that doesn’t leave you

Take Me To The River: New Orleans leaves you with the notion that New Orleans isn’t just a place, but an identity that doesn’t leave you

Lauren Hurrell says, ‘Take Me To The River: New Orleans leaves you with the notion that New Orleans isn’t just a place, but an identity that doesn’t leave you, and so where